| 翻訳と辞書 |
| Paul Kornfeld (playwright) ： ウィキペディア英語版 |
Paul Kornfeld (playwright)
Paul Kornfeld (11 December 1889—25 April 1942) was a Czech-born German-language Jewish writer whose expressionist plays and scholarly treatises on the theory of drama earned him a specialized niche in influencing contemporary intellectual discourse.
==Writing career before and after World War I==
A native of Prague, Paul Kornfeld came to adulthood in the city which, as the capital of Bohemia, was, at the time, a part of the Austro-Hungarian Empire and a major center of culture and learning. In 1913, at the age of 23, he formulated a thesis elucidating his philosophy of dramaturgy, ''Der beseelte und der psychologische Mensch'' (Spiritual and the Psychological Person'', also translated as ''The Inspired and the Psychological Being'' ) and wrote the first draft of his most-renowned play, ''Die Verführung'' (Seduction'' ). His circle of young friends and compatriots included some of the most renowned German-speaking Jewish literary figures of the era, Oskar Baum, Max Brod, Rudolf Fuchs, Willy Haas, Franz Janowitz, Franz Kafka, Egon Erwin Kisch, Otto Pick, Hermann Ungar, Johannes Urzidil and Franz Werfel.
In 1916, amidst the chaos of World War I and, with ultimate birth of the future republic of Czechoslovakia only two years away, Kornfeld moved to Germany where, during the Weimar period, he experienced his most intense period of creativity. In 1918, during the final months of the war, he published a revised version of his thesis and oversaw the first production of ''Die Verführung''. An expressionist work, which put forth abstract and revisionist ideas, it attempted to encapsulate the universality of human aspiration. Character development and plot details were eschewed in favor of an atmosphere of hopeless inability to cope, which defeated the play's tragic protagonist. A subsequent expressionist drama, ''Himmel und Holle'' (and Hell'' ) presented even more abstract ideas, but in a vein that was, to a greater degree, lyrical and ecstatic.
Kornfeld also wrote satirical comedies which did not utilize expressionism and showed him in possession of a highly developed sense of humor. ''Der ewige Traum'' (Eternal Dream'' ) (1922), which held up a jaundiced mirror to reflect upon monogamous and polygamous relationships, ''Palme, oder Der Gekränkte'' (or The Offended One'' ) (1924), which spotlighted a character of comically extreme sensitivity and ''Kilian, oder Die gelbe Rose'' (or The Yellow Rose'' ) (1926), all enjoyed audience approval as did his collaboration with Max Reinhardt on a 1925 Berlin theatrical production. Written in 1929 and staged in 1930, his final Berlin play, ''Jud Süß'' (the Jew'', generally known under its literal translation, ''Jew Suss'' ), presented a highly nuanced and objective portrayal of the controversial 18th century Jewish financier Joseph Süß Oppenheimer whose story had already been depicted a century earlier in Wilhelm Hauff's 1827 novella and, again, only four years before his own work, in Lion Feuchtwanger's 1925 historical novel. Within a decade, it also became the subject of a 1934 British film starring Conrad Veidt, and a notorious 1940 German anti-semitic propaganda film with Ferdinand Marian in the title role.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Paul Kornfeld (playwright)」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|